JAPROCKSAMPLER

HOW THE POST-WAR JAPANESE BLEW THEIR MINDS ON ROCK'N'ROLL

JULIAN COPE

BIBLIOGRAPHY

• Hans H. Baerwald
  'Postwar Japan - A Reminiscence'
  (Japan Policy Research Institute 2002)


• Barry Bergstein
  'Miles Davis and Karlheinz Stockhausen: a reciprocal relationship'
  in Musical Quarterly 76, Number 4 (1992)


• Peter Brown and Steven Gaines
  The Love You Make
  (Pan 1983)


• Kelly Burnette
  'Mikami Kan and the Language of the Japanese Blues'
  (Perfect Sound Forever magazine 2002)


• Ian Buruma
  Inventing Japan: From Empire to Economic Miracle
  (Weidenfeld & Nicolson 2003)


• Amy Dempsey
  Art in the Modem Era: A Guide to Styles, Schools & Movements
  (Abrams 2002)


• John Dower
  Embracing Defeat Japan in the Aftermath of World War II
  (Norton 1999)


• Yumi Gato
  Those Days in Muramatsu
  (Publication of the Center for East Asian Studies, University of Kansas)


• Paul Griffiths
  A Guide to Electronic Music
  (Thames & Hudson 1979)


• H. Wiley Hitchcock
  Music in the United States: A Historical Introduction
  (Inglewood Cliffs 1974)


• J. Hopkins
  Yoko Ono
  (Sidgwick & Jackson 1987)


• Toshi Ichiyanagi
  'Japanese Experimental Music of the 1960s: "Where Are We Going? And What Are We Doing?"'
  (1997)


• Marius Jansen
  The Making of Modem Japan
  (Harvard University Press 2000)


• Toreno Kobayashi
  'Shinki Chen Interview'
  in Black Shapes of Doom magazine (2004)


• Toreno Kobayashi
  'Ikuzo Orita Interview'
  in Black Shapes of Doom magazine (2004)


• Yukiko Koshiro
  Trans-Paciftc Racisms and the US Occupation of Japan
  (Columbia University Press 1999)


• Yukiko Koshiro
  Beyond an Alliance of Colour: The African American Impact on Modem Japan
  (Duke University Press 2003)


• Shigeku Kubota
  'Hi Red Center' (information poster)
  (Fluxus Publishing 1965)


• Michael Kurtz
  Stockhausen: A Biography
  (Faber & Faber 1988)


• Peter Manning
  Electronic and Computer Music
  (Oxford Press 1985)


• Chris Mclean,
  'Japanese psychedelic, progressive, experimental & heavy rock'
  (unpublished manuscript 2005)


• Jonas Mekas
  Film Culture (Expanded Arts issue)
  No. 43 (NYC 1966)


• Alexandra Monroe
  Tadanori Yokoo: Be It All
  (Heibonsha 1996)


• Hideo Namba
  Breaking out of the Prison of the Ego
  (Heibonsha 1996)


• Masahiro Nogami
  Happy Snapshot Diary: Tokyo
  (Blues Interactions 2000)


• Yoko Ono
  Onobox (notes)
  (Rykodisc 1992)


• Frank Popper
  Art - Action & Participation
  (New York University 1975)


• Donald Ritchie
  The Japan Journals 1947-2004
  (Stone Bridge Press 2005)


• Herbert Ruscol
  The liberation of Sound: An Introduction to Electronic Music
  (Englewood Cliffs 1972)


• Glenn Sadin
  'Made in Japan: Eleki & Group Sounds'
  (Internet essay 2003)


• Thomas Schultz
  'A Biographical Sketch and Appreciation of Yuji Takahashi'
  (Internet essay 2003)


• Yuji Takahashi
  'The Ufe of the Composer'
  (Internet essay 1996)


• Paul Tingen
  Miles Beyond: The Electric Explorations of Miles Davis 1967-1991
  (Billboard Books 2003)


• Takeo Udagawa, Shizumitsu Tsuchiya, Atex Mizuno, Toru Ueda, Tomisada Namura
  The World of J.A. Caesar: Originator of Japanese Psychedelic Culture, the Living Legend of Tenjosajiki & Banyuinyoko
  (Byakuya Shobo 2002)


• Balint Andras Varga
  Conversations with Iannis Xenakis
  (Faber & F aber 1996)


• Jonathan Watts
  'Japanese Hijackers Go Home After 32 Years on the Run'
  in the Guardian, 9th September 2002